Panic! At The Disco - Vices & Virtues FLAC album
Title: Vices & Virtues
FLAC version ZIP size: 1879 mb
MP3 version ZIP size: 1262 mb
WMA version ZIP size: 1527 mb
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Panic! at the Disco is an American rock band that originated in Las Vegas, Nevada. Their 2005 debut album, A Fever You Can't Sweat Out, reached number 13 on the US Billboard 200, and has sold more than . million copies since its September 2005 release, spearheaded by the quadruple platinum top 10 hit single, "I Write Sins Not Tragedies". The band's second album, Pretty
Band Name Panic At The Disco. Album Name Vices & Virtues. 版公司 Fueled By Ramen Decaydance. Other productions from Panic At The Disco.
Panic! at the Disco is an American rock band from Las Vegas, Nevada, formed in 2004 by childhood friends Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson. Since 2015, vocalist Urie has been the only official member of the band, with drummer Dan Pawlovich, bassist Nicole Row, and guitarist Mike Naran accompanying him on tour. Panic! at the Disco recorded their first demos while they were in high school.
Despite it being two years old, I am still a huge fan of it, and I cannot say there is a song that I do not enjoy. The songs transition well, the lyrics sound good, and although I am not very deep intellectually, I enjoy the songs.
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Panic! At the Disco – Vices & Virtues Album Zip Download (108,24MB) Songs are compressed with best possible compression by keeping maximum quality possible. Each track has same high quality 320kbps CBR format.
Od. and turn Vices & Virtues into a curious little nesting doll of an album. Elements of the band’s energetic emo are here, but it’s only one bit on a record that follows the kitchen sink aesthetic of Pretty. Od. one where the production is too restless to sit still for more than a couple of bars. The keystone here isn’t so much the ‘60s as it is ‘80s new wave with synths and echoed guitars uncannily recalling the glory days of 1983, but Panic at the Disco’s approach is distinctly modern, letting the past intermingle with the present so it all creates a Day-Glo digital collage.
Subsequently, 2011’s Vices & Virtues furthers Panic! at the Disco’s fascination with vaudevillian emo and hook-laden power pop, sounding as if the only noticeable change is a stronger focus on songwriting and more economical arrangements. It starts with the incredibly catchy The Ballad of Mona Lisa, where a dark whimsy contrasts sunny melodies in the chorus