Rush - The U.S. Debut FLAC album
Title: The U.S. Debut
Style: Hard Rock, Prog Rock
FLAC version ZIP size: 1205 mb
MP3 version ZIP size: 1331 mb
WMA version ZIP size: 1805 mb
Other Formats: AA MOD ADX RA XM VOC MIDI
Rush is the debut studio album by Canadian rock band Rush, released on March 1, 1974 by the band's own label Moon Records in Canada and by Mercury Records in the United States and internationally. Their first release shows much of the hard rock sound typical of many of the popular rock bands emerging earlier in the decade. Rush were fans of such bands as Led Zeppelin and Cream, and these influences can be heard in most of the songs on the album.
Gaga's debut was a game-charger, making dark, booming dance-pop-buoyed by the almighty four-on-the-floor thump of Eurodisco-the dominant sound of the global charts. The Flying Burrito Brothers A&M, 1969. We're a rock & roll band that sounds like a country band," Gram Parsons said of the Burritos, whose first album was an obscure Sixties masterpiece that drew the blueprint for both Seventies country rock and today's alt-country. Parsons and Chris Hillman formed the Burritos after they both quit the Byrds; in many ways, Gilded Palace picks up where the Byrds' Sweetheart of the Rodeo left off.
What, their debut album opened with a tune about a car? And followed it up with one dissing a woman? The third track tells you what’s going on: ʻMiuzi Weighs A Ton’ takes a traditional hip-hop stance of using lyrics as weapons, and those lyrics are heavy. These days some of its tracks sound more old school than you might have expected, but in ’87 this album was heading for revolutionary, though still reflecting the hip-hop heard on the street.
Yo! Bum Rush the Show is the debut album by American hip hop group Public Enemy. It was recorded at Spectrum City Studios in Hempstead, New York, and released on February 10, 1987, by Def Jam Recordings and Columbia Records. The album became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part because of lead rapper Chuck D's black nationalist politics. It has since been regarded as one of the genre's best and most influential albums.
Rush's first album of the '90s found the band sending the keyboards further back in the mix as Alex Lifeson's guitar regained its deserved prominence. The title track injected a spoken word rap, somewhat controversially, into the otherwise familiar realm of what had previously been expected from a Rush album. After shifting stylistic phases throughout the '80s, 'Roll the Bones' firmly planted the Canadian veterans back on solid ground for an album that was generally well received by the Rush fanbase. 8. 'Permanent Waves' (1980). The second Rush album brought the studio debut of Neil Peart as the band's new drummer and principal lyricist. Peart's addition was a game-changing move, giving Rush a clear direction with a rhythmic pilot who was more than ready for the challenges that lay ahead.
Rush burst onto the international scene in 1974 with an energetic and entertaining debut album. The only album to feature drummer John Rutsey, this self-titled album is also unique in the style, with many of the tracks taking a direct blues-flavored rock approach reflective of contemporary groups like Led Zeppelin and Nazareth. The Canadian power trio sets the template rudimentary sonic output that would become a signature over their long career.
Rush have revealed details of the 40th anniversary re-release of their debut album. RUSH: Self-Titled Debut Album To Be Reissued Next Year.
Rush released its eponymous debut album in March 1974. 24 gold and 14 platinum (3 multi-platinum) records later, the band is only third behind The Beatles and The Rolling Stones for the most consecutive gold or platinum albums by a rock band. 2112 40th Anniversary. Time Stand Still DVD/Blu-Ray.
NSYNC Reflects on Making . Debut & Competing With Backstreet Boys as Self-Titled Album Turns 20: 'It Was Us Against the World'. March 24, 2018, 11:00am EDT. By spring of 1998, pop had seen a long-overdue resurgence after a Nirvana-driven grunge era, thanks to the to the 1997 breakthrough of megapop groups Spice Girls, Hanson, and most importantly, the Backstreet Boys. With the stage set, another five-piece boy band named NSYNC was ready to join the Top 40 scene stateside with their American self-titled debut.
|1||Finding My Way Home|
|2||The Best I Can|
|3||Need Some Love|
|4||In The End|
|6||In The Mood|
|11||What You're Doing|
- Phonographic Copyright (p) – Coda Publishing Ltd.
- Copyright (c) – Coda Publishing Ltd.
NotesWMMS - Agora Ballroom, Cleveland August 26th 1974
Barcode and Other Identifiers
- Barcode: 5060420343526