Burzum - The Ways Of Yore FLAC album
Genre: Electronic / Folk and World music
Title: The Ways Of Yore
Style: Ambient, Post Rock, Nordic
FLAC version ZIP size: 1486 mb
MP3 version ZIP size: 1897 mb
WMA version ZIP size: 1436 mb
Other Formats: WMA DTS AAC TTA WAV VOX MMF
The Ways of Yore is the eleventh and final studio album by Norwegian musical project Burzum, released on 2 June 2014 by sole member Varg Vikernes' label Byelobog Productions. The album retains the ambient and medieval music sound Vikernes started with Burzum's previous album, Sôl austan, Mâni vestan, albeit introducing vocals. The album's cover was taken from "Merlin and Vivien", an engraving by famous French artist Gustave Doré for Alfred Tennyson's poem Idylls of the King.
The Ways of Yore is the eleventh studio album by Norwegian musical project Burzum, released on 2 June 2014 by sole member Varg Vikernes' label Byelobog Productions. The album retains the ambient and medieval music sound Vikernes started with Burzum's previous album, Sôl austan, Mâni vestan,[albeit introducing vocals. released June 26, 2017. Burzum is a music project that began in 1991 by the Norwegian musician and writer Varg Vikernes. It became a part of the early Norwegian black metal scene and is one of the most influential acts in black metal.
Burzum is the debut studio album by Norwegian black metal solo project Burzum. It was released in March 1992, through Euronymous's label Deathlike Silence Productions. Six of the songs were later re-recorded in 2010 and released on the album From the Depths of Darkness, as Varg Vikernes was dissatisfied with some of the original vocals and production
The Ways of Yore" is the 12th album from Burzum. The Ways of Yore" is similar in style to Burzum’s previous ambient albums, but differ in both style and vocal expression. A mix of haunting story telling channeled through distinct vocals combined with Burzum musical genius makes "The Ways of Yore" is a very interesting and innovative sounding album with mass appeal to Burzum fans
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The album's inherent gloom comes not from the burning hatred and isolation that fueled earlier Burzum albums, but conveys the same intensity through its use of chant and traditional instruments of early Norwegian folk music, which wrap around Vikernes' signature use of ambient electronics to create a truly inspired web of harrowing sound.