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Ground-Zero - Plays Standards FLAC album

Ground-Zero Noise Future Jazz Experimental Avantgarde 2002 Japan

Performer: Ground-Zero
Genre: Electronic / Rock
Title: Plays Standards
Country: Japan
Released: 2002
Style: Noise, Future Jazz, Experimental, Avantgarde
FLAC version ZIP size: 1802 mb
MP3 version ZIP size: 1716 mb
WMA version ZIP size: 1328 mb
Rating: 4.6
Votes: 527
Other Formats: FLAC APE MP1 DTS AIFF VOC DMF

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The band performed on such instruments as turntables, sampler, shamisen, saxophone, koto, omnichord, electric guitar and two drum kits. They were the first free improvising musicians to use turntables.

Is Plays Standards the best album by Ground Zero? BestEverAlbums. com brings together thousands of 'greatest ever album' charts and calculates an overall ranking. This album At A Glance. Plays Standards by Ground Zero (1997) Overall rank: 58,212th.

Plays Standards by Ground Zero. Don’t Hurt Me by Ground Zero. View all albums . Consume Red. By: Ground Zero (1997, Electronic). More albums from Ground Zero: Ground Zero by Ground Zero. Last Concert by Ground Zero. Plays Standards by Ground Zero. About.

Label: rer megacorp genre: format: CD catalog n. ReRGZ3 year. Just the version of Shed a Little Tear is worth the whole CD.

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Ground Zero biography Founded in Tokyo, Japan in 1990 - Disbanded in 1998. With the dawn of 1997 came 'Plays Standards'. We find Otomo interpreting in a more personalised fashion, formulating a more song-orientated album, while still lending a health does of noise doused insanity. Also released in the same year, was 'Consume Red'. Sited as the bands greatest moment, it was to be one of the last full releases before the band broke up.

Продавец: Интернет-магазин Ozon. Адрес: Россия, Москва, Пресненская набережная, 10. ОГРН: 1027739244741

Tracklist Hide Credits

1	El Derecho De Vivir En Paz / Shinoshin 3/4 Bass [Electric] – NasunoDrums [Kit] – UemuraDrums [Kit], Djembe – YoshigakiElectric Guitar – UchihashiSampler – MatsubaraSaxophone [Tenor] – KikuchiShamisen [Futozao], Voice – TanakaTurntables – OtomoWritten-By – Shinoda Masami*, Victor Jara	6:19
2	Ultra Q Bass [Electric] – NasunoDrums [Kit, Bass], Cymbal, Congas – YoshigakiDrums [Kit] – UemuraElectric Guitar, Effects – UchihashiKokyu – TanakaSampler – MatsubaraSaxophone [Tenor] – KikuchiTurntables, Guitar [Self-made] – OtomoWritten-By – Miyauchi Kuniro*	5:05
3	Those Were The Days Bass [Electric] – NasunoDrums [Kit] – UemuraDrums [Kit], Voice – YoshigakiElectric Guitar, Effects – UchihashiKoto [Taisho], Voice – TanakaPiano [Sampled Guest] – Sergey KuryokhinSampler – MatsubaraSaxophone [Sampled Guest], Guitar [Altered Miniature] – Keshavan MaslakSaxophone [Tenor] – KikuchiTurntables, Voice – Otomo*Written-By – Gene Raskin	6:19
4	Folhas Secas Bass [Electric] – NasunoElectric Guitar, Effects – UchihashiOmnichord – MatsubaraPandeiro, Cuica [Quica], Caixa – YoshigakiSaxophone [Soprano, Baritone] – KikuchiShaker, Tambourine – UemuraTurntables, Surdo, Agogô [Bell] – OtomoWritten-By – Antonio Nelson Silva, Brito Guilherme Bollhorst, Guilherme Brito, Nelson Cavaquinho	3:51
5	Washington Post March / Japan Dissolution Bass [Electric], Voice – NasunoDrums [Kit], Cuica [Quica], Gong, Bells [Goat-hoof Jingle], Voice – YoshigakiDrums [Kit], Voice – UemuraElectric Guitar, Effects, Voice – UchihashiSampler, Voice – MatsubaraSaxophone [Tenor], Voice – KikuchiShamisen [Horozao], Toy, Voice – TanakaTurntables, Voice – OtomoWritten-By – John Philip Sousa, Omoide Hatoba	3:09
6	Akashia No Ame Ga Yamu Toki Electric Guitar, Effects – UchihashiGuitar [Self-made] – OtomoWritten-By – Abe Kaoru, Toyozumi Yoshisaburo*	4:19
7	Bones Acoustic Guitar – UchihashiBass [Electric] – NasunoDrums [Kit] – Uemura, YoshigakiSampler – MatsubaraSaxophone [Soprano, Baritone] – KikuchiShamisen [Futozao], Voice – TanakaTurntables – OtomoWritten-By – Bill Laswell, Fred Frith, Frederick Maher*	2:33
8	Where Is The Police? / The Bath Of Surprise Electric Guitar, Effects – UchihashiRecorded By – Matsubara SachikoSampler – MatsubaraSaxophone [Soprano] – KikuchiShamisen [Futozao] – TanakaTurntables, Performer [Bath Water, Toothbrush, Body, Tubes], Whistle, Euphonium, Reeds, Toy – OtomoWritten-By – Misha Mengelberg, Steve Beresford	6:22
9	Miagetegoran, Yoru No Hoshi Wo Bass [Electric] – NasunoDrums [Kit] – UemuraDrums [Kit], Gong – YoshigakiElectric Guitar, Effects – UchihashiKoto – TanakaSampler – MatsubaraSaxophone [Soprano] – KikuchiTurntables, Electric Guitar – OtomoWritten-By – Ei Rokusuke, Izumi Taku*	8:16
10	Yume No Hansyu Bass [Electric], Voice – NasunoDrums [Kit] – Uemura, YoshigakiElectric Guitar, Effects – UchihashiSampler – MatsubaraSaxophone [Soprano, Tenor] – KikuchiShamisen [Hosozao], Voice – TanakaTurntables, Whistling – OtomoVoice [Sampled Guest] – PhewWritten-By – Phew, Yamamoto Seiichi*	4:56
11	Die Papple Vom Karlsplatz Bass [Electric] – NasunoDrums [Kit, Bass], Cymbal – YoshigakiDrums [Kit] – UemuraElectric Guitar, Effects – UchihashiSampler – MatsubaraSaxophone [Baritone] – KikuchiShamisen [Futozao] – TanakaTurntables – OtomoWritten-By – Bertolt Brecht, Johannes Hanns Eisler*	4:56
12	A Better Tomorrow / I Say A Little Prayer Bass [Electric] – NasunoDrums [Kit], Gong – UemuraDrums [Kit], Tambourine, Gong, Siren [Klaxon, Acme], Whistle – YoshigakiElectric Guitar, Effects – UchihashiSampler – MatsubaraSaxophone [Tenor] – KikuchiShamisen [Hosozao], Voice – TanakaTurntables, Guitar [Self-made] – OtomoWritten-By – Burt Bacharach, Joseph Koo	10:54

Companies, etc.

Copyright (c) – Disk Union
Phonographic Copyright (p) – ReR Megacorp

Credits

Arranged By – Ground-Zero*, Otomo Yoshihide
Artwork [Cover & Inlay] – Kagari Sekiguchi, Shuichi Kataoka
Artwork [Rer Reissue Design] – Tim Schwartz
Co-producer – Matsubara Sachiko*
Executive-Producer – Noda Shigenori
Liner Notes – Otomo Yoshihide
Other [English Translation] – Ito Haruna
Photography By – Takimoto Junsuke*
Producer – Noda Shigenori, Otomo Yoshihide
Recorded By, Mixed By, Mastered By – Kondo Yoshiaki*

Notes

Recorded January 6-9, 1997 at Gok Sound, Kichijoji, Tokyo, exept "The Bath of Surprise" recorded January 4, 1997 at Fuji Height #103, Hoya, Tokyo.
Mixed on January 10-13 & 31, 1997 at Gok Sound, Kichijoji, Tokyo.
Mastered February 17, 1997 at Kojima Recording, Yoyogi, Tokyo.

Special thanks to: Chris Cutler, for his perseverance patience and good will over the last five years, which made this reissue possible.