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Pablo Casals, J. S. Bach - Suites For Unaccompanied Violoncello Vol. II FLAC album


Performer: Pablo Casals
Genre: Classical music
Title: Suites For Unaccompanied Violoncello Vol. II
Style: Baroque
FLAC version ZIP size: 1801 mb
MP3 version ZIP size: 1911 mb
WMA version ZIP size: 1506 mb
Rating: 4.9
Votes: 622
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The six Cello Suites, BWV 1007-1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).

Cello – Pablo Casals. Composed By – J. S. Bach. Liner Notes – Pablo Casals, Paul Tortelier, Tristram Cary. Photography By – Sabine Weiss (2). Notes. Includes 20-page booklet with notes in English as well as a few photographs. SUITE No. 1 IN G MAJOR Recorded in Paris on 2 June, 1938, by Pablo Casals on master number 2LA 2583 to 2588 inclusive. 2 IN D MINOR Recorded in London on 23 November, 1936, by Pablo Casals on master numbers 2EA 24476 to 4485 inclusive. First issued in February, 1938, on record numbers DB 3399 to 3401. Transferred to LP in Paris in 1957 on master number 2 XEA 10124. Both Suites first issued on LP in July, 1957, on record number COLH 16 in the "Gravures Illustres" series in France. Issued in England in October, 1957, in the "Great Recordings of the Century" series. Recorded by The Gramophone Company Limited, England.

Pablo Casals recorded . Bach's 6 Cello Suites for EMI between 1936 and 1939 in London and Paris, and these legendary recordings have been in print for many decades without break. There is a mystique attached to these performances that overrides any minor defects of reproduction, and students of these works repeatedly turn to this cellist, who essentially rescued the suites from the tedium of the practice room and presented them to the world as fully fledged works of invention and virtuosity. Since Casals' day, the Cello Suites have been played in many ways, including efforts to play them in an authentic Baroque manner, as well as more Romantic attempts at individual expression, but Casals still seems to be the standard against which other performances are measured, and these recordings are indispensable to any serious collector.

Nikolaus Harnoncourt, Violoncello. Harmonia Mundi HM 381-83. Bach: Cello Suites 1 & 2 Pablo Casals EMI HMV COLH 16, mono, flipback cover, made in England Cover has light wear Vinyl is VG to EX (listen to samples).

Naxos featured album.

Exclusive discount for Prime members. Sample this album Artist (Sample). Bach’s Cello Suites, as presented by Pablo Casals on this album, is an excellent example of an outstanding musical performance. There is great fluency demonstrated by Casals as he performs the allemande of suite on this album; this fluency of expression extends to the other songs presented throughout the album. The quality of the recording is not great, according to 2016 standards, but it is definitely authentic, according to 1938 standards, when the recording was made

Album: Bach: Cello Suites, Portrait Vol. 2. Release year: 1988. Gheorghe Zamfir, Иоганн Себастьян Бах - . Bach: Suite N. in D, BWV 1068 - 2. Air The Lonely Shepherd, 1997 04:43. Sam Yelda, Иоганн Себастьян Бах - Invention 13 My Revelation, 2005 01:03. Artist: Иоганн Себастьян Бах Pablo Casals Pablo Casals (cello).

55 people follow this. AboutSee All. Contact Pablo Casals, Bach: Suites for Cello on Messenger. 21 June 2016 ·. 21,054 Views. Cello Comunidade Global. 19 June 2016 ·. August 1954. Pablo Casals: Bach Cello Solo N., BWV 1007.

The Six Suites for Unaccompanied Cello by Johann Sebastian Bach BWV 1007-1012, are undoubtedly the most popular solo compositions ever written for the instrument. Today, because of its great popularity among classical performers are often presented and recorded by virtuous cellists who seek, in this work, an expected recognition in their careers. These compositions imposes itself as a kind of test in the Masterclasses, important to the musician because of the enormous difficulties presented to its interpreters.