Kathleen Ferrier, Pergolesi, Johann Sebastian Bach - Pergolesi: Stabat Mater/J.S.Bach : Cantata 11 FLAC album
Genre: Classical music
Title: Pergolesi: Stabat Mater/J.S.Bach : Cantata 11
FLAC version ZIP size: 1558 mb
MP3 version ZIP size: 1836 mb
WMA version ZIP size: 1534 mb
Other Formats: DMF VQF ASF AAC AUD DMF VOC
A1. Pergolesi: Stabat Mater. Bach: Have Mercy, Lord, On Me. 8:09. Bach: Cantata No. 11 "Praise Our God". Backing Vocals – The Cantata Singers.
By Johann Sebastian Bach - The Jacques Orchestra, Bach Choir, Nottingham Oriana Choir, Reginald Jacques & Kathleen Ferrier. 9. Mass in B Minor, BWV 232: Qui sedes. By Johann Sebastian Bach - Kathleen Ferrier, London Philharmonic Orchestra & Sir Adrian Boult. 10. St Matthew Passion, BWV 244: Grief for sin. Stabat Mater: IV. Quae moerabat et dolebat. By Giovanni Battista Pergolesi - Kathleen Ferrier, Joan Taylor, The Boyd Neel String Orchestra, Nottingham Oriana Choir & Roy Henderson. 11. Stabat Mater: V. Quis est homo. 12. Stabat Mater: VI. Vidit ssum dulcem Natum.
Pergolesi: Stabat Mater - Inflammatus by Kathleen Ferrier & Joan Taylor & The Boyd Neel String Orchestra & Roy Henderson. Format: Audio CDVerified Purchase. I was looking for arias and found this great seleccion for low voice.
For other uses, see Bach (disambiguation). Johann Sebastian Bach. Portrait of Bach, aged 61, by E. G. Haussmann, 1748. Born Return to Weimar (1708–1717). Bach's autograph of the first movement of the Sonata No. 1 in G minor for solo violin (BWV 1001) – Audio . Bach: Timeline of His Life". Archived from the original on 26 February 2012.
The mixture of Pergolesi and Bach on a program is unusual, as the packaging notes on this Harmonia Mundi release freely admit. One connection is that Bach made a version of the Pergolesi Stabat Mater, as he did with various other Italian works, mostly by Vivaldi. That version, the motet Tilge, Höchster, meine Sünden, BWV 1083, isn't often heard, and you might think you're getting it here. In fact you don't: in addition to the Pergolesi there are two rather experimental Bach cantatas for alto solo that aren't particularly Italianate in nature
67 & 11, Chorale from Cantata No. 147 . Bach: St. Matthew Passion · G. Matthäus-Passion BWV 244 - Revised by Elgar & Atkins; Sung in English, and the translation was done by Troutbeck & Johnson.
Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with Pergolesi’s Stabat Mater of 1736, the eighteenth century’s favourite sacred work. Yet Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica and its two eminent soloists display equal mastery of both idioms.
|A1||Pergolesi: Stabat Mater||38:09|
|B1||J.S.Bach: Have Mercy, Lord, On Me||8:09|
|B2||J.S.Bach: Cantata No. 11 "Praise Our God"||26:03|
- Backing Vocals – The Cantata Singers
- Baritone Vocals – Roy Henderson
- Bass Vocals – William Parsons
- Choir – The Nottingham Oriana Choir
- Conductor – Charles Thornton Lofthouse, Reginald Jacques, Sir Malcolm Sargent
- Contralto Vocals – Kathleen Ferrier
- Orchestra – The Boyd Neel String Orchestra, The Jacques Orchestra, The National Symphony Orchestra
- Soprano Vocals – Ena Mitchell, Joan Taylor
- Tenor Vocals – William Herbert
- Violin – David McCallum
NotesRecordings from 1946 and 1949
Barcode and Other Identifiers
- Barcode: 028941746610
- Matrix / Runout (Side A Stamped): ARL 19039 1G 127
- Matrix / Runout (Side B Stamped): ARL 19040 1G 111
- Other: BA620
- Rights Society: BIEM/STEMRA